Showing posts with label The Postmodern Condition. Show all posts
Showing posts with label The Postmodern Condition. Show all posts

Sunday, 6 July 2014

Pas le Grand Départ Dérive (part 1)

Gerbil Lucida

I hadn’t had a proper conversation with the psychogeographer for a while because, as she said, “I have been deeply mired in the academic machinations of my viva”. But yesterday we discussed the pros and cons of the Grand Départ in Yorkshire. She apparently had reservations, the same as those she’d had over the London Olympics when she wrote ‘The Perturbed Psychogeographer: Contemplating Olympic Space, the Shard and Architectural Phalluses in General’. I asked her to summarise, for a laygerbil, what these reservations were. She explained she was torn between the community aspect it would hopefully encourage and the neoliberal co-opting of it by capital.

I suggested that we seek out, in our local area, contributions and acknowledgements to community spirit as it related to the Grand Départ and also look for signs of capital appropriation in Horsforth at the same time. She thought a semiology of the signs would be useful and advised we take a Barthesian view of the locale, entitling our blog by appropriating Roland Barthes' book titles.

We set off up Broadgate Lane where the only sign of the Grand Départ was the use of a yellow T-shirt on a letting agent’s sign, but the psychogeographer couldn’t reach it in order to put up her poster, so we moved on while she mumbled something about the preposterous connection between cycling livery and house rentals. By the time we had almost hit Town Street, 15 minutes into our walk, I suggested that maybe the Grand Départ had departed or perhaps had never even arrived in the first place. Then we saw out first piece of bikeage. This cycle was attached to the railings outside the Retirement Home:


In the High Street itself the best contribution was at the community café, where there were two decorated bikes.



In response to my witty remark about wanting ketchup with my Grand Départ, the psychogeographer collected her posters and blue tack and marched off down the road in search of more signs. I shouted after her “There appears to be some prejudice directed at gerbils here! Why are all the T-shirts only made for cats?”. When I caught up with her I asked: “In what cultural epoch can you situate this breakdown of community and why?”. She replied that in poststructural theory a French guy called Lyotard wrote The Postmodern Condition where he discusses the decline of grand narratives, which she believed was part of the glue that held people together, rightly or wrongly. I looked up postmodernism on my phone. A book called Postmodernism, or, The Cultural Logic of Late Capitalism appeared by someone called Jameson. I then understood her interest in postmodernism.


It wasn’t until we were getting towards the other end of the High Street that more signs appeared. In the toy shop window there were lots of mini yellow T-shirts, but apparently still none small enough for a gerbil. I asked the psychogeographer why she liked Barthes. She said that despite the fact that capitalism mobilises individuals through dominant signs, via anti-production and even through their very consciousness, she liked the way Barthes enabled meaning to be plural. She then started rambling about his Mythologies, quoting vast paragraphs. I managed to jot down: “But there always remains, around the final meaning, a halo of virtualities where other possible meanings are floating: the meaning can almost always be interpreted.”


The florists opposite had made an effort, but we had pretty much reached the end of the High Street by then. I asked the psychogeographer if we should go home and she suggested heading for Horsforth’s other High Street, across the Ring Road. So off we set, past the cycle shop, Holyspokes, and towards New Road Side as she continued to lecture me on the tensions between what she said were molar power structures and local, personal, rhizomatic molecular networks…


Please click here for part 2 of this Keilleresque blog: The Pleasure of the Gerbil

Saturday, 26 January 2013

Schizoanalytic Cartographies Part 3: Guattari on Postmodernity


This is part three of my series of blogs on Félix Guattari's Schizoanalytic Cartographies. Please click here for part one and two:
1 - Psychoanalysis and Religion
2 - Guattari on Enunciation

This extract includes some of Guattari's comments on postmodernity. Here he critiques the demise of social relations in a somewhat polemic fashion, but despite that this extract does highlight some of the themes associated with postmodernism - style over content, the decline of grand narratives, etc.:
A certain conception of progress and of modernity has gone bankrupt, compromising in its collapse collective confidence in the very idea of emancipatory social practice. In parallel, a sort of glaciation has taken over social relations: hierarchies and segregations have rigidified, poverty and unemployment tend to be accepted today as inevitable evils, the unions cling onto the last institutional branches conceded to them and are imprisoned in corporatists practices leading them to adopt conservative attitudes that are sometimes close to the of the reactionary milieus. The communist left is irremediably stuck in sclerosis and dogmatism, whilst socialist parties concerned to present themselves as reliable technocratic partners have given up any progressive questioning of existing structures. It is not surprising, after all that, if the ideologies that once claimed to serve as a guide to rebuilding society on a less unjust, less unequal basis have lost their credibility. (page 36)
Does it follow that we are henceforth condemned to stand around like idiots in the face of growth of the new order of cruelty and cynicism that is on the point of submerging the planet, with the firm intention, it seems, of staying? It is this regrettable conclusion that numerous intellectual and artistic milieus effectively seem to have reached, in particular those who invoke the fashion of postmodernism. (page 36)


Whether they are painters, architects or philosophers, the heroes of postmodernity share an assessment that the crises the artistic and social practices are experiencing today can no longer lead into anything other than irrevocable refusal of any collective projectuality of any scale. Let's tend our garden then and preferably in conformity with the habits and customs of our contemporaries. No waves. Just vogues, modulated on the markets of art and opinion by means of publicity campaigns and opinion polls. As for ordinary sociality, a new principle of 'sufficient communication' will have to provide for the maintenance of its equilibria and ephemeral consistency. If one thinks about it, how much distance has been travelled since the epoch in which one could read on the banners of French sociology: 'social facts are not things'! For the postmoderns, they are now nothing more than erratic clouds of floating discourse in a signifying ether! (page 39)

If you are interested in other philosophical discussions on postmodernity and culture, I would also recommend the following texts:

Jean-Françoise Lyotard The Postmodern Condition: A Report on Knowledge
Fredric Jameson Postmodernism: The Cultural Logic of Late Capitalism