Showing posts with label Concrete Crows and Calluses. Show all posts
Showing posts with label Concrete Crows and Calluses. Show all posts

Wednesday, 18 July 2018

'Concrete, Crows and Calluses' - Alternative Covers


I was putting some images into frames for my desk in my new office at work the other day and, while I was looking for the digital cover of Concrete, Crows and Calluses to frame, I came across a number of different covers I had experimented with when working on the cover design. So, I've loaded them up below as I think they are interesting.

While the one I finally settled on is probably more 'aesthetically pleasing' it doesn't have the psychogeographical grittiness of the three that I rejected. However, the one I chose did actually become a talking point as it's an interesting derelict building in Armley, Leeds (that I call The Water Shed) which was also painted by Judy Tucker. Anyway, here are the images. The last is the final one, but the other 3 - probably more edgy, or at least more quotidien - were also considered. In a way, I actually now prefer the first two for their suburban ordinariness..








Thursday, 14 April 2016

Urban Gerbil Publications - Catalogue


Urban Gerbil Publications is a small production, not-for-profit press that specialises in the field of urban aesthetics/semiology, psychogeography, walking practices, space and place, the city, and urban life. Formats and types of publications include: zines, artist’s books, poetry, fiction/non-fiction/creative non-fiction, grassroots academic articles, newsletters, magazines and maps. Below is a list of the current catalogue.

S T E P Z: Between the Rollerama and the Junk Yard (Summer 2016)
This is a special edition for the ‘Loitering With Intent’ exhibition at the People’s History Museum in Manchester. The psychogeography zine (see details on the first edition below) will appear alongside accompanying artwork and is inspired by the lyrics of the Mancunian punk poet John Cooper Clarke. The academic and psychogeographer, Tina Richardson, and the artist and psychogeographer, Ally Standing, have produced and edited a zine that concentrates on Manchester and Northern Psychogeography, but also represents urban walking today in its broader categorisation. The zine combines written pieces with visual elements such as photography, illustration and collage and is produced on a Risograph machine, creating a unique and vibrant aesthetic, which calls to mind a time before digital, making it an ideal method of printing for the zine.
 
TwentySix Psychogeography Stations (2015)

This artist’s book by Darrant Hinisco is based on the famous artist’s book by Ed Ruscha TwentySix Gasoline Stations (a truly psychogeographical artist’s book), and it faithfully follows its format and style. This is what Darrant Hinisco says about the book in the preface:
"This artist’s book is a collaboration with my publisher, Tina Richardson. Between us we have curated this set of photographs from my own collection, mostly from my travels in the United Kingdom and United States. The photos included herein are a response to the psychogeographical phenomena known as ‘perambulatory hinges’ or, how I have termed them here, psychogeography stations."
You can read a review about it here and click here if you would like to acquire a copy.

S T E P Z: A Psychogeography and Urban Aesthetics Zine (2015)

This is the first text in the Urban Gerbil Publications catalogue. STEPZ is a zine for and by those interested in psychogeography and in critiquing, appreciating and debating urban space. It does not have the strict editorial rules applied to it that would be the case in an academic article, textbook or novel. It is, what you might call, ‘editorially restrained’ and is the brainchild of the psychogeographer Tina Richardson. This pilot edition includes contributions from both professional and creative writers. Within a few months of release the zine was on an undergraduate course reading list in the United States. Click here for further information and for how to acquire a copy.

Particulations Press
Particulations Press preceded Urban Gerbil Publications. The first publication in this series was Concrete, Crows and Calluses (2013) by Tina Richardson. Following this book was a music series published under Particulations Press/Urban Gerbil Publications called psy(co)motion. A book chapter on this psychogeography-related music series will appear in an upcoming academic textbook on Non-Representational Theory and the Creative Arts (2017).

Saturday, 7 November 2015

Places of the Heart – Psychogeography for Architects!


Places of the Heart: The Psychogeography of Everyday Life by Colin Ellard (2015)

This is a short review of/commentary on Colin Ellard’s new book. Ellard is a cognitive neuroscientist at the University of Waterloo. Here's a quick summary of what he does (from his own website):
I work at the intersection of psychology and architectural and urban design, conducting experiments that measure how your brain and body respond to different kinds of settings. I also write accessible books and articles based on my scientific work, and travel the world trying to figure out how to build better places.
And this is the summary of the book from the blurb on the back cover:
In Places of the Heart, Colin Ellard explores how our homes, workplaces, cities, and nature – places we escape to and can’t escape from – have influenced us throughout history, and how our brains and bodies respond to different types of real and virtual space. As he describes the insight he and other scientists have gained from new technologies, he assesses the influence these technologies will have on our evolving environment and asks what kind of world we are, and should be, creating.
I came across Places of the Heart on twitter by simply searching for the term #psychogeography, which I do on a regular basis, since it is my academic field. While I was waiting for it to arrive in the mail, I posted on my Facebook page a link to the book. While the general consensus was that it might be ‘too sciencey’ to be psychogeography, I am generous with the use of the term and also wanted to reserve judgement till I had read the book. Having now read it, I think it deserves a place within the contemporary canon of psychogeography, even though it does take a scientific approach, which some people may think goes against the subjective aspect of ‘classical’ psychogeography and might be considered reductive. The book has chapter headings such as: ‘Places of Lust’, ‘Boring Places’ and ‘Places of Affection’, so it is clear from this that we are still talking about how people ‘feel’ about place – and what is wrong with backing that up with some neuroscience! While I could write more about this side of the book, what I would like to do is provide an anecdote which actually helps situate the book within a specific field of study (and practice) which may be of interest to people who might only tangentially be connected to psychogeography: architects and architecture students.

In October I was invited to the Canterbury School of Architecture to talk about schizocartography (my own version of psychogeography) and at the end of the lecture I wanted to recommend some books to them that were at the intersection of psychogeography and architecture. I took with me Walking Inside Out: Contemporary British Psychogeography (obviously, since this is my own edited volume and also came out this year, so is very current), The Psychogeography of Urban Architecture by David Prescott-Steed (2013) (also very recent, and the title is a clue to how it might interest my audience) and Ellard’s new Places of the Heart.

These three texts are very different from each other in content and style, yet they all use the term ‘psychogeography’ in the title. Walking Inside Out, as the subtitle suggests, includes chapters that represent British psychogeography today. While architecture does appear in the content (it even has its own section in the index), it is more broadly related to urban space in general. A number of the index references to architecture cite the Situationists critique of architecture under the rubric of their unitary urbanism project, although there are other references. The Psychogeography of Urban Architecture, while very psychogeographical in that it includes many of psychogeography’s common themes - subjective responses to urban space, walking in the city, personal accounts, cultural/philosophical critique, etc – it does not directly discuss architecture, but in a way it is always talking about it. You cannot really separate architecture out of a critique of urban space. However, in the use of the word as it pertains to architects, the title may be misleading to those not from a psychogeography background. Rather, the book is not about architecture per se, even though it is a super book in many other ways.

Out of the three books I took to Canterbury, the book I actually recommended to the architects (the lecturers) and the architects-in waiting (the students) was Ellard’s book. The biggest section in the index is ‘architecture’! Ellard talks about Gothic and Malian architecture, he talks about public housing and retail architecture and he even discusses “cognitive science’s collision with architecture”:
It seems a risky course to so scientize design that the creative vision of architects is force-fed into a reductive sausage grinder that can only produce quasi-Corbusian designs of the kind that we’ve already tried and found wanting. Nevertheless, allowing architects to have unfettered access to fecund imagination untroubled by psychological realities of what seems to work in a building also seems unwise. (page 219-220)
Also, interestingly, this was the book out of the three that the students were most interested in, although I appreciate it may have been because I was recommending it in this specific setting. So…despite the fact I should be promoting my own book, I think that this would be a good book for architects who might be interested in how the field of psychogeography intersects with their own work. Then, once they have read that, they can read Walking Inside Out to find out what is going on at the cutting edge of British psychogeography!

Related Links:
Concrete, Crows and Calluses – Book Review
On Walking – Book Review

Monday, 28 April 2014

Concrete, Crows and Calluses – Talk in Huddersfield 7th May


I will be giving a talk about my psychogeographical practice on 7th May at Huddersfield University at 4.15pm. The event is free but you need to book here: eventbrite

While the talk has the same title as my book – Concrete, Crows and Calluses – it isn’t based on the book but is rather an overview of how I use psychogeography as a method of critiquing urban space and revealing the hidden in the postmodern terrain. The talk will include discussion on my methodology, examples of walks and the output of these explorations, such as maps and films. It is aimed at anyone interested in: urban walking, urban space, the Situationists, social history, cartography, architecture, etc. There is further information on the above link.

Below I have included a couple of taster slides:


Axis of Exploration and Failure in the Search for a Situationist ‘Great Passage’ Guy Debord


St George’s Field, The University of Leeds